A Practical Guide to Theatre and the Web: Twitter
Do you tweet? What can Twitter do for your work in the creative industries? Sinead MacManus covers the main points of the world’s most used microblogging service.
Group authored publication covering theatre and the performing arts in London and beyond
Even without its climactic sequel this is a roguishly appealing, stand-alone historical romp.
Electric Hotel is a piece of total theatre, a beautiful, meditative and eerie exploration of isolation and violence seen through the eyes of voyeurs.
It’s not every day that you get to hear a Shakespeare play (or at least a play partly by Shakespeare) for the first time.
Grafting a social conscience onto Barrie’s blithely heartless hero isn’t as easy as re-attaching lost shadows.
Sinead Mac Manus looks at the world’s largest social networking site to gauge its potential for theatre artists and companies.
There’s even the odd pirate, redskin and fairy to be sighted among the motley and comprehensively lost crew.
Chronicle of a journey to the Cartoucherie de Vincennes to see Théâtre du Soleil’s latest production, Les Naufragés du Fol Espoir.
Do you tweet? What can Twitter do for your work in the creative industries? Sinead MacManus covers the main points of the world’s most used microblogging service.
I love those moments, when our participants are suddenly seen in a new light, free of the 'behaviours' and the 'syndromes' with which they are often labelled.
We have become so involved in the romances within these novels that we often overlook the voices of the women themselves.
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