Andrew Eglinton

Idle Motion’s ability to transform a tiny, empty square into a detailed, textured and low-tech landscape of the imaginary, bodes well for future work with greater resources.

Chronicle of a journey to the Cartoucherie de Vincennes to see Théâtre du Soleil’s latest production, Les Naufragés du Fol Espoir.

The conversations around Money started before Easter last year, so before Northern Rock, but after the Enron scandal.

What is the nature of the interactions we experience in ‘cyberspace’ and ‘real space’? Where does this experience reside in the individual?

I stood there with the camera to my eye, watching, waiting, lowering it from time to time to check the screen.

In this interview, entrepreneur, actor and playwright Marcus Marcou talks about theatre and entrepreneurship.

The New Electric Ballroom is far from an outlandish portrayal of small port-town Irish life, it’s an indictment of cream cakes, silk suits, chit-chat and veneer, and an ode to human pathos…

Director of The Rain Emperor, Judy Jacob talks about the background to the project and the musical legacy of her late father, Robert Jacob.

How does theatre work in a virtual online environment such as Second Life? What can we learn from this virtual experience and carry over into ‘real world’ theatre practice, and vice-versa?

Loren Feldman is a New York video blogger, owner of the video production company 1938media. He is known by peers for his direct approach to controversial issues in the tech industry.