Andrew Eglinton

Among the high-flying tech moguls of Silicon Valley Loren Feldman is something of an awkward rarity. He’s an agent-provocateur, a performer deft in the derrisory or to quote him…

There was a sense of clarity in London today, heightened by a cold wind and a crisp silence. No streams of traffic, no hustle and bustle, nothing but a chance…

A keynote lecture given by Australian avant-garde performance artist Stelarc at the Transmediale Festival in Berlin, 2007

The more people hear my voice, the more my voice becomes important regardless of what I have to say.

What Debbie Tucker Green puts on stage in (seemingly) simple, almost game-like manner, is the fragility and vulnerability of some lives over others.

How does biology inform our perception of the performer on stage and how relevant is the knowledge of scientific and technological advances in biology to the actor today?

Translating aesthetic representation into direct social action is a problem that challenges the limits of radical theatre and its potential to instigate change.

With a bit of luck/polite persistence and some good ideas, you should find someone to work with.

What does it take for a film to leave an indelible mark on our memory?