Diana Damian

Diana Damian speaks to Brummie Spoken Word artist, Polarbear, about his show RETURN and his unique approach to performance.

Play on Words is an old fashioned confection of moments both tragic and comic, juggling language and dramatic structure in an elegant production.

The Way Through the Woods aims to be a challenging and accessible piece of theatre, but it remains unbalanced between the potential of the audience journey and the energy of the cast.

With infectious energy, Markeline pay a unique tribute to the miners of the Basque Country bringing old stories back to life and adventure to the National Theatre’s Square 2.

Mad Forest by Caryl Churchill is an epic and daring play; and in Caroline Steinbeis’ production the cast rises to the occasion with unbreakable energy and pinpoint focus.

In the final installment of her Adventures in Movement coverage, Diana Damian reviews It Happens…, TAT TAT TAT and May I….

Benedetti asks us to rethink Sarah Kane’s writing one more time, so that maybe now, in light of our times, we can understand a different side of her.

This second round of reviews from the Arcola’s Adventures in Movement Festival includes coverage of Mass Exercise and Vulnerasti.

Cinderella, fairy tales, waitresses and Transylvanian vampires collide in After Cinderella and Violet Smile at the Arcola Theatre.

Diana Damian talks to the makers of Accidental Art, a theatre experiment based on the myth of Oedipus, involving a director, a psychologist and a group of actors.