Diana Damian

Electric Hotel is a piece of total theatre, a beautiful, meditative and eerie exploration of isolation and violence seen through the eyes of voyeurs.

Diana Damian talks to Tim Webb, Artistic Director of Oily Cart, about his company and its work for children with profound and multiple learning disabilities.

Elevator is a strong, enjoyable, realist drama about a generation lost in the euphoria of freedom yet stalked by a darker cultural history.

Diana Damian talks to writer and performer Rebecca Vaughan about the concept and creative process behind her solo piece, Austen’s Women.

Despite its clever interweaving of theatrical elements and its sumptuous and satisfyingly dark content, the production fails to convey dramatic tension.

Jack Pratchard is a brilliant feat of storytelling, with a timeless feel and an imaginative use of theatrical medium.

Diana Damian speaks to Brummie Spoken Word artist, Polarbear, about his show RETURN and his unique approach to performance.

Play on Words is an old fashioned confection of moments both tragic and comic, juggling language and dramatic structure in an elegant production.

The Way Through the Woods aims to be a challenging and accessible piece of theatre, but it remains unbalanced between the potential of the audience journey and the energy of the cast.

With infectious energy, Markeline pay a unique tribute to the miners of the Basque Country bringing old stories back to life and adventure to the National Theatre’s Square 2.