Stephe Harrop

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Stephe Harrop

Stephe Harrop completed a practice-based PhD in 2007, and has since lectured in drama at Royal Holloway, Goldsmiths and Rose Bruford Colleges, as well as becoming a post-doctoral associate of the Archive of Performances of Greek and Roman Drama (University of Oxford). When not teaching, researching or blogging, Stephe also works as a professional performance storyteller.

Posts

Henry IV, part 1

Even without its climactic sequel this is a roguishly appealing, stand-alone historical romp.

Henry VIII

It’s not every day that you get to hear a Shakespeare play (or at least a play partly by Shakespeare) for the first time.

Peter Pan

Grafting a social conscience onto Barrie’s blithely heartless hero isn’t as easy as re-attaching lost shadows.

Slowly

Short, sour and stinging, Slowly pits the seductive rituals of conformity against the risk and indignity of freedom.

Green and Pleasant Neverland

There’s even the odd pirate, redskin and fairy to be sighted among the motley and comprehensively lost crew.

Measure for Measure

This is a production fascinated by the psychological dissection of individual souls, but without much concern for the real-world consequences of its protagonists’ moral and marital manoeuvres.

Stick Man

A confident, charming, polished and thoroughly reliable seasonal entertainment for the very littlest theatre-goers.

Jiggery Pokery: An Homage to Charles Hawtrey

This unconventional bio-drama is like a macabre inversion of the usual Christmas theatre outing.

Petrushka

Petrushka is an ambitious conglomeration of jokes, dance, music, tragedy and magic tricks.

Alison’s House

Even-handed and humane, Alison’s House is another timely and thought-provoking find from The Orange Tree.

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