Stephe Harrop

Edward Gant’s Amazing Feats of Loneliness is Anthony Neilson’s homage to the garish and cruel spectacle of the nineteenth-century freak-show.

Veering between silliness and savagery, at times The Story of Vasco feels like a mind-bending collision of Milligan and Lorca.

Amit Lahav’s company bring wit and compassion and an essential lightness of touch to this grimmest of stories, aided by Ti Green’s bleakly playful set and some glorious lighting from James Farncombe.

Despite a few wobbles The Lion, the Witch and the Warbrobe bodes well for a productive conjunction of company and venue.

Eonnagata is a diffuse, episodic and sometimes meandering meditation upon identity and gender, with moments of painful intensity interspersed with passages of narrative obscurity.

Speak Bitterness will be webcast live, and will be performed by the six core-members of Forced Entertainment including Artistic Director, Tim Etchells

A bittersweet, fantastical, funny and soulful show, at once an affectionate homage to the musicals of the past, and an inspiring glimpse of what the musicals of the future, in an ideal world, might be.

When I spoke to director Mike Tweddle, in rehearsal for the world premiere of Timberlake Wertenbaker’s new version of Hippolytus, I started by asking what drew him to Euripides’ tale…

Fourteen years after something terrible happened, an estranged husband and father returns to the family home, with a much younger girlfriend in tow. Theresa Rebeck’s contemporary reworking of the Agamemnon…

Participatory theatre is hard. Especially when the audience don’t want to play ball. But I remain to be convinced that relentless pestering, emotional blackmail and the odd physical shove onto the dancefloor is the answer.