Stephe Harrop

In December 1978, with the Winter of Discontent in full swing, three generations of a working-class family gather in a living-room in Hull. Patriarch Dad is in denial about his…

Lorca Dreams is a strange and playfully morbid fantasia on the life and works of Federico García Lorca. Performed in Spanish with English surtitles, the piece weaves together extracts from…

In The Elephant’s Child and Just So from Metta Theatre, a company of eight present a series of semi-improvised animal fables, followed by a puppet-opera explaining the origin of the…

It’s a production without concept, in which the actors feverishly juggling words, words, words keep revealing brilliant new facets of a familiar text, then tossing them away with spendthrift unconcern.

Her Naked Skin is a bit like its heroine: courageous, demanding, articulate, divided, unpredictable and – despite good intentions – ultimately alienating.

Wink the Other Eye attempts to give a potted history of music hall, as well as an introduction to the songs that made the halls great.

After Liverpool is a fast-paced, funny, not-too-challenging way to spend an hour in the theatre.

If you haven’t been to the Little Angel, then get it sorted. Seriously. It’s one of the few theatres in London where I can’t remember ever being disappointed by a show.

Once again, the DryWrite team have put together an event that challenges and inspires participants and watchers to take risks, make imaginative leaps and think in new ways about the process and purpose of writing for the theatre.

The Frontline makes a gutsy stab at being a contemporary social drama to match the vigour, daring and wit of Shakespearean precedent.