Practical Guide to Theatre & Web 2.0
Creative business consultant, Sinead Mac Manus, introduces her practical guide to Web 2.0 and social media for theatre companies, artists and the creative industries.
Group authored publication covering theatre and the performing arts in London and beyond
Creative business consultant, Sinead Mac Manus, introduces her practical guide to Web 2.0 and social media for theatre companies, artists and the creative industries.
Matt Boothman lays down plans for some exciting and unusual coverage of the Edinburgh Festival Fringe 2009.
What do Punchdrunk’s Tunnel 228 and Tim Crouch’s England have in common? They rethink the relationship between artwork and gallery space through interdisciplinary performance.
In Wall, David Hare conjures a vision of the future; drawing on history that is being written as we speak, his journies make faraway lands feel less distant, less foreign than we’d have them be.
Google’s opinion on the performance is the only one that counts in this instance. The backbone of new media is not the content but the code.
The Forest Fringe is set to challenge every convention in sight, from the role of the audience right up to what we can comfortably classify as theatre.
Speak Bitterness will be webcast live, and will be performed by the six core-members of Forced Entertainment including Artistic Director, Tim Etchells
The Gate Theatre is thirty years old this year, and they’ve been involving their fans in the celebrations…Taking part in the exhibition engenders a strange feeling of connectedness.
Meyerhold was in search of a new kind of theatre; one that could widen its emotional potential to express new thoughts and ideas and reflect the times in which he was living.
Practical theatre links, scholarly resources, maps, podcasts, cheap tickets & more.
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