
The Glass Mountain
As yet unfinished, but already roughly enchanting, The Glass Mountain looks set to be a hopeful, heartfelt and most rewarding journey.
Group authored publication covering theatre and the performing arts in London and beyond

As yet unfinished, but already roughly enchanting, The Glass Mountain looks set to be a hopeful, heartfelt and most rewarding journey.

More than just a reverent character study of Dr. King, The Mountaintop presents a history with an immediate bearing on the modern world.

The Moon The Moon is many overlapping things, but never feels like collage; its elements complement rather than contradict one another.

In their grimy, bloodied hands, Sophocles’ drama acquires an unpretentious, slightly battered and totally compelling integrity.

Perhaps under other circumstances having ’solved’ All’s Well would be enough of an achievement, but this is the National we’re talking about; it’s perfectly justifiable to demand more.

Theatre does not have to be linear or orderly, its strength lies in collage, Mikuš tells us. Werter, Werter is broken, odd, and wonderful.

In Rotating in a Room of Images, participants spend the majority of the 15-minute production in pitch darkness, guided only by invisible hands and the spooky voice in the headphones.

Wondermart continues Rotozaza’s work with audio-instructed performance and develops the site-specific element introduced in Etiquette.

Warm, wise and beguiling, The Frog Princess is fifty minutes of rough magic that takes its audience on an epic imaginative journey.
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