Henry IV, part 1
Even without its climactic sequel this is a roguishly appealing, stand-alone historical romp.
Group authored publication covering theatre and the performing arts in London and beyond
Even without its climactic sequel this is a roguishly appealing, stand-alone historical romp.
Electric Hotel is a piece of total theatre, a beautiful, meditative and eerie exploration of isolation and violence seen through the eyes of voyeurs.
It’s not every day that you get to hear a Shakespeare play (or at least a play partly by Shakespeare) for the first time.
Grafting a social conscience onto Barrie’s blithely heartless hero isn’t as easy as re-attaching lost shadows.
Elevator is a strong, enjoyable, realist drama about a generation lost in the euphoria of freedom yet stalked by a darker cultural history.
Short, sour and stinging, Slowly pits the seductive rituals of conformity against the risk and indignity of freedom.
A feast for all the senses, Journeys of Love could prove to be Motiroti’s most outstanding show to date.
Idle Motion’s ability to transform a tiny, empty square into a detailed, textured and low-tech landscape of the imaginary, bodes well for future work with greater resources.
Despite its clever interweaving of theatrical elements and its sumptuous and satisfyingly dark content, the production fails to convey dramatic tension.
Jack Pratchard is a brilliant feat of storytelling, with a timeless feel and an imaginative use of theatrical medium.
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