Physical Theatre – Archive

Idle Motion’s ability to transform a tiny, empty square into a detailed, textured and low-tech landscape of the imaginary, bodes well for future work with greater resources.

In part 3 of his Fringe round-up, Matt Boothman looks at the relationship between physical theatre and technology, highlighting anomie by Precarious and Borges and I by Idle Motion.

Can a Shakespearean play work without Shakespeare’s language? Pawel Szkotak proves so in his nightmarishly perverse adaptation of Macbeth.