Idle Motion’s ability to transform a tiny, empty square into a detailed, textured and low-tech landscape of the imaginary, bodes well for future work with greater resources.
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Physical Theatre – Archive
Un/Familiar Fringe Episode Three: Un/Afraid
In part 3 of his Fringe round-up, Matt Boothman looks at the relationship between physical theatre and technology, highlighting anomie by Precarious and Borges and I by Idle Motion.
Macbeth: Who Is That Bloodied Man?
Can a Shakespearean play work without Shakespeare’s language? Pawel Szkotak proves so in his nightmarishly perverse adaptation of Macbeth.
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