Interview with Tim Webb, Artistic Director of Oily Cart
I love those moments, when our participants are suddenly seen in a new light, free of the 'behaviours' and the 'syndromes' with which they are often labelled.
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Interviews – Archive
On Austen’s Women: An interview with Rebecca Vaughan
We have become so involved in the romances within these novels that we often overlook the voices of the women themselves.
Interview with Polarbear: spoken word artist
Me on stage telling you a story right now. That's why it's exciting. Sink or swim. Hopefully I can swim.
Mischa Twitchin on the history of SHUNT and their new show Money
The conversations around Money started before Easter last year, so before Northern Rock, but after the Enron scandal.
Alan Lane on Slung Low and They Only Come Out at Night
We're clearly part of a recent interest and enthusiasm for installations, of being put in immersive environments.
On the Real: Fatebook and Whit MacLaughlin
I started to envision a piece involving real time online interactions that would bring physical life directly up against cyberspace life.
Accidental Art – an experiment in theatre making
We followed the structure of the dramatherapy method Sesame, which focuses a lot on the body as a key to accessing the unconscious.
Fairground
I stood there with the camera to my eye, watching, waiting, lowering it from time to time to check the screen.
Mike Tweddle on directing Hippolytus
They’re such brilliant, simple stories, these Greek stories’, he continues, ‘but they often get clouded in a mist of incomprehensibility.
Theatre In Second Life
If virtual theatre is going to improve in the future, I’d like to be able to see the facial expressions of both the actors and the audience.
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Henry IV, part 1
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