Reviews – Archive

Werter, Werter

Theatre does not have to be linear or orderly, its strength lies in collage, Mikuš tells us. Werter, Werter is broken, odd, and wonderful.

Rotating in a Room of Images

In Rotating in a Room of Images, participants spend the majority of the 15-minute production in pitch darkness, guided only by invisible hands and the spooky voice in the headphones.

Wondermart

Wondermart continues Rotozaza’s work with audio-instructed performance and develops the site-specific element introduced in Etiquette.

The Frog Princess

Warm, wise and beguiling, The Frog Princess is fifty minutes of rough magic that takes its audience on an epic imaginative journey.

Pictures from an Exhibition

Is a work of art only as interesting as the sex-life of its creator?

Tunnel 228

Tunnel 228 isn’t meant to be found (i.e. stumbled upon at random); you’re meant to find it (i.e. actively seek it out).

Holy Mothers

Holy Mothers is full of surreal religious moments, and while not always explored to their fullest extent, they add an evocative dimension to Schwab’s renowned Austrian cynicism.

The Contingency Plan

If anthropogenic climate change is the greatest challenge currently facing mankind, then right now Steve Waters’ The Contingency Plan at the Bush Theatre is the most important artwork in the country.

Peer Gynt

Dominic Hill’s production is gutsy, inventive and stylish, finding a gripping, discomfiting immediacy in Ibsen’s perplexing tall-tale.

Godfather Death

The company are obviously talented and brimming with energy, but this patchy adaptation lacks both pathos and pace

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