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If you’re looking for a big stage spectacular à la Wicked or The Sound of Music, you’ll be disappointed, but if you like your Rodgers and Hammerstein understated and a little dark, then this show will certainly appeal.
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If you’re looking for a big stage spectacular à la Wicked or The Sound of Music, you’ll be disappointed, but if you like your Rodgers and Hammerstein understated and a little dark, then this show will certainly appeal.
An old-fashioned confection of kindly wish-fulfilment, Country Magic appeals to the enduring desire that small miracles might somewhere, and somehow, occur.
Story and structure are well-conceived, but without Rebecca Stevenson’s ability to change from schoolgirl Gracie to a prematurely grown-up woman in a heartbeat…For Once I Was would remain just that – an interesting story well told.
A Place at the Table has a couple of rock-solid concepts – the subject matter and staging – at its heart, but glommed around them is a mass of shiny little distractions that serve only to obscure the truths verbatim theatre is supposed to expose.
That Night Follows Day was commissioned by Flemish theatre company Victoria and written and directed by Tim Etchells as part of a series of productions performed by children for adults.
Though Death and the King’s Horseman was programmed well before England People Very Nice opened and the accusations began, in context it feels like a comforting reassurance that the National Theatre does not condone racism.
Edward Gant’s Amazing Feats of Loneliness is Anthony Neilson’s homage to the garish and cruel spectacle of the nineteenth-century freak-show.
Veering between silliness and savagery, at times The Story of Vasco feels like a mind-bending collision of Milligan and Lorca.
Amit Lahav’s company bring wit and compassion and an essential lightness of touch to this grimmest of stories, aided by Ti Green’s bleakly playful set and some glorious lighting from James Farncombe.
Despite a few wobbles The Lion, the Witch and the Wardrobe bodes well for a productive conjunction of company and venue.
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