In part 3 of his Fringe round-up, Matt Boothman looks at the relationship between physical theatre and technology, highlighting anomie by Precarious and Borges and I by Idle Motion.
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In part 3 of his Fringe round-up, Matt Boothman looks at the relationship between physical theatre and technology, highlighting anomie by Precarious and Borges and I by Idle Motion.
Belt Up Theatre, Tickled Pig and Ontroerend Goed are busy blurring the actor/audience divide at this year’s Edinburgh Fringe. What techniques to they use and how do they compare?
This is an ambitious project that sets out to explore the power of humour as a weapon of torture, and very much succeeds.
A series of photos by Adam Levy for Theatre in Pictures on the Edinburgh production of Strindberg’s The Stronger.
Matt Boothman puts two participatory audio-led performances to the test at the Edinburgh Festival Fringe 2009. Rotozaza’s GuruGuru followed by David Leddy’s Susurrus.
Matt Boothman lays down plans for some exciting and unusual coverage of the Edinburgh Festival Fringe 2009.
East 10th Street is that internal ‘haunted’ house, where humanity wrestles with the profound peculiarities of a meaningless existence that, now and then, goes wayward and crumbles.
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