As an examination of the overly simplistic adult tendency to classify teenage behaviour as the direct result of easily identifiable causes like alcohol, pornography and violent media, Punk Rock delivers.
Group authored publication covering theatre and the performing arts in London and beyond
As an examination of the overly simplistic adult tendency to classify teenage behaviour as the direct result of easily identifiable causes like alcohol, pornography and violent media, Punk Rock delivers.
Benedetti asks us to rethink Sarah Kane’s writing one more time, so that maybe now, in light of our times, we can understand a different side of her.
More than just a reverent character study of Dr. King, The Mountaintop presents a history with an immediate bearing on the modern world.
If anthropogenic climate change is the greatest challenge currently facing mankind, then right now Steve Waters’ The Contingency Plan at the Bush Theatre is the most important artwork in the country.
In Wall, David Hare conjures a vision of the future; drawing on history that is being written as we speak, his journies make faraway lands feel less distant, less foreign than we’d have them be.
Story and structure are well-conceived, but without Rebecca Stevenson’s ability to change from schoolgirl Gracie to a prematurely grown-up woman in a heartbeat…For Once I Was would remain just that – an interesting story well told.
The play does a great job putting the problems of today’s multicultural London in perpsective, as each generation of immigrants eventually integrates into British life and then takes its turn oppressing the next.
Her Naked Skin is a bit like its heroine: courageous, demanding, articulate, divided, unpredictable and – despite good intentions – ultimately alienating.
The annual Edinburgh Festival Fringe attracts the best and the barmiest of companies to show off, experiment and network for three weeks of non-stop plays and parties.
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