Technology – Archive

We’re clearly part of a recent interest and enthusiasm for installations, of being put in immersive environments.

In part 3 of his Fringe round-up, Matt Boothman looks at the relationship between physical theatre and technology, highlighting anomie by Precarious and Borges and I by Idle Motion.

What is the nature of the interactions we experience in ‘cyberspace’ and ‘real space’? Where does this experience reside in the individual?

Last Seen offers a glimpse of how audio headphone technology could positively impact theatre, whether as a dramatic technique in itself or as a facilitatory tool.

The Forest Fringe is set to challenge every convention in sight, from the role of the audience right up to what we can comfortably classify as theatre.

Speak Bitterness will be webcast live, and will be performed by the six core-members of Forced Entertainment including Artistic Director, Tim Etchells

How does theatre work in a virtual online environment such as Second Life? What can we learn from this virtual experience and carry over into ‘real world’ theatre practice, and vice-versa?

Meyerhold was in search of a new kind of theatre; one that could widen its emotional potential to express new thoughts and ideas and reflect the times in which he was living.

Modern theatre criticism has problems, and those problems are generational in nature. That’s the one overriding conclusion with which I left the Royal Court after Brickbats in Cyberspace, in which…

It might sound surprising to hear the visionary filmmaker and multi-media artist Peter Greenaway claiming the death of cinema, given that he is working on three new films to be…