This unconventional bio-drama is like a macabre inversion of the usual Christmas theatre outing.
Group authored publication covering theatre and the performing arts in London and beyond
This unconventional bio-drama is like a macabre inversion of the usual Christmas theatre outing.
Mad Forest by Caryl Churchill is an epic and daring play; and in Caroline Steinbeis’ production the cast rises to the occasion with unbreakable energy and pinpoint focus.
In Rotating in a Room of Images, participants spend the majority of the 15-minute production in pitch darkness, guided only by invisible hands and the spooky voice in the headphones.
Wondermart continues Rotozaza’s work with audio-instructed performance and develops the site-specific element introduced in Etiquette.
The Forest Fringe is set to challenge every convention in sight, from the role of the audience right up to what we can comfortably classify as theatre.
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