Idle Motion’s ability to transform a tiny, empty square into a detailed, textured and low-tech landscape of the imaginary, bodes well for future work with greater resources.
Group authored publication covering theatre and the performing arts in London and beyond
Idle Motion’s ability to transform a tiny, empty square into a detailed, textured and low-tech landscape of the imaginary, bodes well for future work with greater resources.
Jack Pratchard is a brilliant feat of storytelling, with a timeless feel and an imaginative use of theatrical medium.
A Place at the Table has a couple of rock-solid concepts – the subject matter and staging – at its heart, but glommed around them is a mass of shiny little distractions that serve only to obscure the truths verbatim theatre is supposed to expose.
Chi Chi Bunichi is a devised ensemble performance exploring the resonant qualities of Ladino, a dying language once widely spoken throughout the Balkans, but now surviving only in songs.
The Cows Come Home is an enigmatic experience that resonates in some place deeper and stranger than the intellect.
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