National Theatre – Archive

Fram

In this tragedy without a chorus, Murray’s open-mouthed mask remains mute, and no amount of impassioned testimony can bring the sprawling drama to any sort of resolution.

John Baker on The Seagull

Mitchell and Crimp took enormous liberties with the text and in this instance I thought it worked to everyone’s advantage.

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  • Glad you had a good time! I'm afraid I don't remember whether it was an official...

    Stephe Harrop
    Hotel Medea

  • Did you go to a press showing maybe, where the audience was bolstered by 'professionals'? I...

    Rusty A
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  • Thanks for that. I'll bear it in mind.

    Stephe Harrop
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  • I think to your credit you do acknowledge that the problem might be located less with the...

    Mark O'Thomas
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  • Interesting you should say that, as I've been wondering much the same thing myself...

    Stephe Harrop
    Hotel Medea