In the final 15 minutes, The Author is revealed for what it has really been all along: a daring act of self-flagellation by Crouch on behalf of provocative art and controversial artists.
Group authored publication covering theatre and the performing arts in London and beyond
In the final 15 minutes, The Author is revealed for what it has really been all along: a daring act of self-flagellation by Crouch on behalf of provocative art and controversial artists.
In Wall, David Hare conjures a vision of the future; drawing on history that is being written as we speak, his journies make faraway lands feel less distant, less foreign than we’d have them be.
The Ugly One is a play about outward appearances, and this production at the Royal Court deliberately pays no attention at all to its own outward appearance.
Barbosa’s theatre is one of reactions and consequences, a type of ‘post-traumatic’ theatre where flashbacks become key narrative devices..
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