i´m on plays ——–

immersion means the audience is transformed from an explicit view to an implicit view (i write view – not point of view) – so, the control (YES !!) wanders from the consciousness of the audience to the makers of production – the audience itself is stunned to a kind of subconsciousness – control here means there´s no control from the audience side of view related to the stage – the author (makers, producers) becomes a force of immanence within the audience – so, there´s no real mutual relation anymore – this escapes the audience because the audience is within a realm of the implicit – the audience is unable to translate this situation into one of the explicit –

the embaressment factor – is another form of control – the explicit escapes the “victim” – and… but… it´s a technic to enforce the “victim´s” body control – the “victim” shifts to tacit body knowledge – seeks to play out a routine – so this leads not really to participation – (it´s the same old story john cage had with the order of the chairs for one of his audiences – the audience reshaped an order that wasn´t intended – the chairs stood disordered – the audience tends to seek for a known form – 50 per cent of the audience left the show in the beginning – why – the loudspeakers had been set to the disordered form – this disordered form related to the sonic here is completely different from using headphones nowadays – here is no kind of immersion – it´s -ok- a kind of embaressment – it´s a little part brechtian ?? – why – here the audience has to get the explicit to understand the show – that´s what i intended to say about mark´s current reviews)