<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Wink The Other Eye</title>
	<atom:link href="http://www.londontheatreblog.co.uk/wink-the-other-eye/feed/" rel="self" type="application/rss+xml" />
	<link>http://www.londontheatreblog.co.uk/wink-the-other-eye/</link>
	<description>Group authored publication covering theatre and the performing arts in London and beyond</description>
	<lastBuildDate>Mon, 30 Jan 2012 22:24:30 +0000</lastBuildDate>
	<generator>http://wordpress.org/?v=2.9.2</generator>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
		<item>
		<title>By: Stephe Harrop</title>
		<link>http://www.londontheatreblog.co.uk/wink-the-other-eye/#comment-821</link>
		<dc:creator>Stephe Harrop</dc:creator>
		<pubDate>Wed, 30 Jul 2008 12:54:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.londontheatreblog.co.uk/?p=414#comment-821</guid>
		<description>One of the (several) things that frustrated me about this show was its unwillingness to use the music hall space as a music hall space. When performers stood behind the footlights and belted out songs they were visible, audible and often rather commanding. When they started clambering down onto a forestage, wandering around the auditorium and popping up in the gallery, they got lost. 

As far as &quot;recreation&quot; goes, the show seemed obsessed with explaining, rather than showing, what music hall performance was like. So although some of the most successful songs were delivered in a broadly traditional manner from the stage, they tended to be preceeded and followed by unhelpful bits of explanatory action in various other areas of the space. 

Essentially, the show didn&#039;t seem to trust the material, the space, or the audience enough to risk a real &quot;recreation&quot;. Frustrating.</description>
		<content:encoded><![CDATA[<p>One of the (several) things that frustrated me about this show was its unwillingness to use the music hall space as a music hall space. When performers stood behind the footlights and belted out songs they were visible, audible and often rather commanding. When they started clambering down onto a forestage, wandering around the auditorium and popping up in the gallery, they got lost. </p>
<p>As far as &#8220;recreation&#8221; goes, the show seemed obsessed with explaining, rather than showing, what music hall performance was like. So although some of the most successful songs were delivered in a broadly traditional manner from the stage, they tended to be preceeded and followed by unhelpful bits of explanatory action in various other areas of the space. </p>
<p>Essentially, the show didn&#8217;t seem to trust the material, the space, or the audience enough to risk a real &#8220;recreation&#8221;. Frustrating.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: TheatreGoer69</title>
		<link>http://www.londontheatreblog.co.uk/wink-the-other-eye/#comment-820</link>
		<dc:creator>TheatreGoer69</dc:creator>
		<pubDate>Wed, 30 Jul 2008 12:15:54 +0000</pubDate>
		<guid isPermaLink="false">http://www.londontheatreblog.co.uk/?p=414#comment-820</guid>
		<description>This quite the scathing review, and it sounds like there&#039;s ample grounds for skepticism. It&#039;s a shame as it&#039;s a production that looked fascinating on paper. 

While I&#039;ve never actually set foot in Wilton&#039;s, I&#039;ve seen numerous photographs and illustrations of its former glory, I&#039;d be interested to know how this production approached the music hall space. 

Did they attempt any degree of historical recreation, or was it purposely detached from that context?</description>
		<content:encoded><![CDATA[<p>This quite the scathing review, and it sounds like there&#8217;s ample grounds for skepticism. It&#8217;s a shame as it&#8217;s a production that looked fascinating on paper. </p>
<p>While I&#8217;ve never actually set foot in Wilton&#8217;s, I&#8217;ve seen numerous photographs and illustrations of its former glory, I&#8217;d be interested to know how this production approached the music hall space. </p>
<p>Did they attempt any degree of historical recreation, or was it purposely detached from that context?</p>
]]></content:encoded>
	</item>
</channel>
</rss>

